On the Engelberg land art trail

In 2025, the Gerschnialp above Engelberg was once again transformed into a stage for art. A land art trail was created in the mystical Hungerboden forest, combining art and nature every two years. Some works, such as Marion Strunk’s ball of bright red wool on a tree stump, appear to be raised on a pedestal. Others, such as Yvonne Christen Vágner’s installation Spillikins, blend so unobtrusively into their surroundings that you have to look closely to recognise the moss-covered collection of branches as a human work. The 2025 exhibition, entitled Outlook – Insight, presented works by eleven artists from Switzerland, Germany and Italy.

„Spillikins“ von Yvonne Christen Vágner. Die Schweizerin legt eine Ansammlung von moosigen Ästen und Baumstämmen auf den Waldboden, jeder ist mit einem anderen verbunden und doch wirkt es wie zufällig. Welche Äste wurden verschoben, welche lagen schon früher an diesem Ort? Landart Pfad Gerschnialp in Engelberg 2025 / © Foto: Georg Berg
“Spillikins” by Yvonne Christen Vágner. The Swiss artist places a collection of mossy branches and tree trunks on the forest floor, each one connected to another and yet it seems random. Which branches have been moved, which have been in this place before? / © Photo: Georg Berg

A natural stage for art

Every two years, works of art merge with trees, leaves or branches up here. Visitors can then experience this interplay on a 3.5-kilometre circular trail. The path has also been barrier-free since 2025. If you stroll at a leisurely museum pace, you will need around 90 minutes and will be rewarded with a view of the surrounding mountains at the end. A flyer with a map of the trail and information about the artists provides additional insights. Guided tours also take place between June and October and can be booked for CHF 10 per person.

Waldschreiter von Gedeon Regli und Fabienne Baumann, filigrane Holzfragmente bilden einen großen aber grazilen Körper, ein Wesen aus einer anderen Welt. Jedes Stück Holz trägt Spuren von Wasser, Wind und Zeit. Landart Pfad Gerschnialp in Engelberg 2025 / © Foto: Georg Berg
Waldschreiter by Gedeon Regli and Fabienne Baumann, filigree fragments of wood form a large but graceful body, a creature from another world. Each piece of wood bears traces of water, wind and time / © Photo: Georg Berg
Claudia Häusler, Kuratorin des Landart Pfads Gerschnialp, Engelberg an einem von 13 Naturkunstwerken der Austellung 2025 mit dem Titel „Ausblick - Einsicht“ / © Foto: Georg Berg
Claudia Häusler, curator of the Landart Trail Gerschnialp, Engelberg at one of 11 works of nature art in the 2025 exhibition entitled “View – Insight” / © Photo: Georg Berg

“Land art is created in nature, from its materials, and respects the natural cycle,” explains curator Claudia Häusler. “Our living space influences our well-being. It therefore makes sense that we want to look ahead. The theme of Outlook – Insight promotes this process.” The eleven artists realised the motto in a variety of ways.

„Sie haben Ihr Ziel erreicht“ Google-Maps Nadel auf dem Landart Pfad Gerschnialp, Engelberg, von Matthias Maeder und Claudia Vogel. Das digitale Zeichen ist aus Ästen des Waldes geflochten / © Foto: Georg Berg
“You have reached your destination” Google Maps pin by Matthias Maeder and Claudia Vogel. The digital sign is woven from branches of the forest and tells us: please arrive in the here and now / © Photo: Georg Berg
Naturkunstwerk „Portal“ von Brigitta Backhaus aus Deutschland. Aus Zweigen und Wurzeln entstand ein Durchblick mitten im Wald. Der Betrachter fokussiert sich auf einen Ausschnitt des Waldes. Landart Pfad Gerschnialp in Engelberg 2025 / © Foto: Georg Berg
Natural artwork “Portal” by Brigitta Backhaus from Germany. Branches and roots were used to create a vista in the middle of the forest. The viewer focusses on a section of the forest / © Photo: Georg Berg

All participants have artistic training – a quality requirement that Häusler emphasises. The artists choose from more locations in the forest than will later be used to create works. “Not every idea fits every location,” explains Häusler. “Some places only inspire a particular work during the preliminary viewing.”

Transience included

Häusler admits that land art is also an intervention in nature, albeit a cautious one. “After the exhibition, the works are completely withdrawn so that nature can continue its cycle undisturbed.” This art form is created in nature, changes with the weather and thus emphasises its transience. Even when the exhibition is over, the realisation remains: this carefully interwoven art sharpens the eye for the beauty, vulnerability, power and intensity of nature.

Naturkunstwerk „Durchblick“ von Susanne Ruoff aus Deutschland. Dünne Platten mit floralen und naturnahen Ornamenten freihängend zwischen Bäumen.  Landart Pfad Gerschnialp in Engelberg 2025 / © Foto: Georg Berg
Natural artwork “Durchblick” by Susanne Ruoff from Germany. Thin panels with floral and nature-like ornaments hanging freely between trees – are they fences, barriers or new perspectives? / © Photo: Georg Berg

Between June and October 2027, the Hungerbodenwald forest near Engelberg will once again be adorned with natural artworks. Up-to-date information on the Gerschnialp land art trail can be found here.

The research trip was supported by Engelberg-Titlis Tourism

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